Lullaby

Poetry | W. H. Auden

Consider Auden As an Anti-Romantic Poet. 

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Consider Auden as an anti-romantic poet. [2019]  

Anti-romanticism means rejection of emotion, imagination, and the ideal beauty of Romantic poets. Romantic poets like Wordsworth and Keats believed in nature, love, and dreams. But W. H. Auden (1907–1973) was different. He looked at life with modern eyes. His poetry shows reason, not emotion. He speaks about war, suffering, sex, fear, and the real human condition. 

Anti-Romantic View of Love in “Lullaby”: Auden’s idea of love is realistic. He joins body and soul together. Love is not divine, but human. He writes,  

“Soul and body have no bounds.” 

This line rejects the old Romantic idea that love is only spiritual. His lover is “mortal, guilty,” not pure like Shelley’s or Keats’s beloved. The setting is night, not paradise. It is full of truth, not a dream. Love gives warmth, not salvation. This shows his anti-romantic realism. 

Death and Realism in “I

n Memory of W. B. Yeats”: In this poem, Auden writes about Yeats’s death in a cold and lifeless world. He says, 

“He disappeared in the dead of winter.” 

The image is gloomy and frozen. Romantic poets used to glorify death, but Auden makes it ordinary and cold. He also shows that poetry does not remain pure or timeless. Poetry changes with people and history. The feeling is calm and factual, not emotional or dreamy. 

Loss of Beauty and Faith in “The Shield of Achilles”: Auden uses the myth of Thetis, Hephaestos, and Achilles to show the loss of beauty in the modern world. Thetis hopes to see peace and joy, but finds horror. She looks “for vines and olive trees” but sees instead “an artificial wilderness.” This scene contrasts sharply with Romantic beauty. Auden’s world has,

“A million eyes, a million boots in line.” 

Love and beauty die in this cruel modern world. His tone is bitter, not dreamy.

Harsh Reality of Human Suffering in “Musée des Beaux Arts”: Auden shows that human suffering is often ignored by the world. People go on with their daily lives while pain happens nearby. In the story of Icarus, the boy falls from the sky, but no one helps him. The farmer keeps working. The ship continues to sail. The sun still shines without care. There is no emotion, no sympathy. Life moves forward, cold and empty. Romantic poets believed in shared feeling, but Auden reveals indifference, loneliness, and the hard truth of modern life.

Anti-Romantic View of Nature in “In Praise of Limestone”: Auden shows nature as real, not holy. The limestone land has hills, caves, and water, but it is full of change and decay. This is not Romantic worship of nature. It is a modern observation. Auden looks at nature like a thinker, not a dreamer. He studies it with reason, not emotion. He also mocks human pride by showing man as weak and playful. His tone is calm, ironic, and realistic; not filled with wonder or divine beauty.

Prayer for Reason, Not Emotion in “Petition”: Auden prays not for beauty or passion but for wisdom and healing. He says, 

“Send to us power and light, a sovereign touch.” 

He wants strength to face life, not escape it. He rejects fake purity. His poem is direct, not emotional. This is the voice of a modern man; clear, logical, and free from Romantic emotion.

Auden is a true anti-romantic poet. He rejects dreams and false beauty. His poems face war, fear, and doubt. His lovers are real, his world harsh. In every poem, he chooses truth over illusion. Auden’s poetry is not an escape; it is an awakening.

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