Brief Questions Tradition and Individual Talent
Brief Questions: Tradition and Individual Talent
- What do critics usually do regarding tradition when judging a poet’s work?
- What does every nation and race have?
- What is tradition broader than?
- What does the historical sense compel a writer to do?
- What is the historical sense?
- Where does the importance of a poet lie?
- What happens when a new work of art is created?
- How should value judgments be made?
- What do we usually say about a new work?
- What must the poet be conscious of?
- What must the poet be aware of about art?
- What is honest criticism directed toward?
- What conception of poetry does Eliot suggest?
- What does Eliot call this theory?
- What is the impersonal theory of poetry?
- How does a mature poet differ from an immature one?
- What example of a catalyst does Eliot give?
- What is the poet’s mind like?
- How does Eliot compare Agamemnon and Othello?
- What does Eliot say about Keats’s “Ode to a Nightingale”?
- What kind of emotions can a poet have?
- Whose poetic theory is “emotions recollected in tranquillity”?
- What does Eliot say about a bad poet?
- What do these errors make a bad poet?
- How does Eliot define poetry creation?
- What is a laudable aim?
- What does progress of an artist mean?
- How is the emotion of art according to Eliot?
- What is the impersonal theory of poetry?
- What is a catalyst?
- What does “a continual extinction of personality” mean?
- What does the historical sense involve?
- When should tradition be discouraged?
- How is the poet’s mind like a catalyst?
- How can tradition be obtained?
- What does Eliot mean by “tradition”?
- What is the business of the poet?