Hamlet

Drama | William Shakespeare

Do you agree that there was a method in Hamlet’s madness? So, why?

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Do you agree that th

ere was a method in Hamlet's madness? If so, why? [2018, 2016]  ✪✪✪

In William Shakespeare’s (1564–1616) famous tragedy “Hamlet,” Hamlet’s madness becomes an important and confusing part. After meeting the ghost of his father, Hamlet begins to act strangely. Many people think he has gone mad. But behind his madness, there is intelligence and purpose. Shakespeare shows that Hamlet’s madness is not complete insanity. His madness is a clever disguise to hide his true plans. There is indeed a “method” in his madness.

Hamlet’s Plan to Pretend Madness: After the ghost of King Hamlet reveals that he was murdered by Claudius, Hamlet is filled with grief and anger. He knows he cannot openly accuse the new king without proof. So, he tells his friend Horatio to keep silent about the ghost. He tells him that he will—

“Put an antic disposition on.”

This means he will pretend to be mad. This disguise gives him freedom to speak and act without suspicion. He will be able to investigate whether Claudius is the murderer. Hamlet’s madness, therefore, is a tool, a mask to hide his revenge plan.

His Behavior with Polonius and Others: Hamlet’s madness seems real to others because he acts differently with each person. With Polonius, he behaves foolishly. He speaks in riddles and teases him with double meanings. With Rosencrantz and Guildenstern, he acts both friendly and suspicious. He tests whether they are sent by the king. When he meets Ophelia, he behaves cruelly, telling her,

“Get thee to a nunnery.”

This shocks her deeply. But Hamlet’s purpose is to make everyone believe that he has lost his mind. Through these scenes, Shakespeare makes the audience understand that Hamlet’s madness is partly real and partly acted. He is deeply sad and angry, but he uses madness as a cover for his revenge.

Mixture of Real and Feigned Madness: Although Hamlet pretends to be mad, his deep sadness and emotional pain sometimes make his behavior truly unstable. His father’s death, his mother’s quick marriage, and his loneliness all make him mentally broken. When he kills Polonius by mistake, we can see that his emotions have become uncontrollable. Yet, even in these moments, his words show intelligence and awareness. He tells his mother,

“I am essentially not in madness. But mad in craft.”

This line makes it clear that Hamlet knows exactly what he is doing. His madness has limits; it is used only when needed to achieve his aim. Thus, Shakespeare creates a complex kind of madness — not complete insanity, but a mix of cleverness and emotional suffering.

Madness as a Weapon Against Claudius: Hamlet’s false madness confuses Claudius. The king is afraid because he cannot tell whether Hamlet is truly mad or secretly dangerous. Claudius says,

“Madness in great ones must not unwatched go.”

This fear shows that Hamlet’s plan is working. The disguise of madness helps him study Claudius’s behavior and find the right moment to act. It also protects him from being openly attacked by the king at first. So, Hamlet’s madness becomes both a shield and a weapon.

In fine, there was surely a “method” in Hamlet’s madness. It was not the madness of a weak mind, but the clever disguise of a wounded soul. Hamlet pretended to be mad to protect himself and to uncover the truth about his father’s murder. However, his real sorrow and anger made the act partly real.

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William Shakespeare
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