The Tempest

Drama | William Shakespeare

How does Shakespeare match time, place, and action in The Tempest?

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How does Shakespeare match time, place, and action in The Tempest? (2017)

The idea of the three unities was first explained by Aristotle (384–322 B.C.) in his famous book “Poetics”. In “The Tempest” (1623), William Shakespeare (1564–1616) beautifully follows the three classical unities: time, place, and action. 

  • Unity of Time - The whole story of the play should happen within one day (24 hours or less).
  • Unity of Place - All the actions of the play should take place in one location.
  • Unity of Action - The play should have only one main story or plot.
The play, “The Tempest,” shows perfect dramatic balance. All events happen in one day, on one island, and around one main story. Prospero loses and recovers his dukedom. This unity gives the play strength, harmony, and natural rhythm from beginning to end.

<
p>Unity of Time: In “The Tempest”, Shakespeare observes the unity of time very strictly. The entire play takes place within a few hours, from morning to evening. The storm begins early in the day, and by the end of the same day, all misunderstandings are cleared. Prospero regains his dukedom, Miranda and Ferdinand fall in love, and peace returns. When Prospero explains his plan to Ariel, he reminds him that all actions must be done before nightfall. Prospero says,

“At least two glasses; the time ’twixt six and now

Must by us both be spent most preciously.”

This shows that everything happens in a short, real-time frame. The unity of time gives the play a feeling of speed, tension, and completion. Many other Shakespeare plays cover months or years. However, “The Tempest” finishes in one continuous flow of events.

Unity of Place: Shakespeare also observes the unity of place. The entire story happens on a single, small island, where Prospero, Miranda, Ariel, and Caliban live. There are no changes of setting, no movement to Milan, Naples, or the sea. Every event, the shipwreck, the lovers’ meeting, the conspiracies, and the final forgiveness, takes place on the island.

The island becomes a symbolic world where Prospero’s power works like a stage inside a stage. It is a magical space where the human world and the spirit world meet. The characters from different social levels, kings, dukes, servants, and spirits, all come together in one place. Even Gonzalo describes the beauty of the island with wonder. He says,

“How lush and lusty the grass looks! how green!”

This unity of place makes the play compact and controlled. The island acts as a theater of truth. Here, Prospero makes every character face his or her own sin and finally reach peace.

Unity of Action: The third unity, unity of action, is perfectly kept in The Tempest. The play has only one main story. Prospero loses and recovers his dukedom through wisdom and forgiveness. Every scene connects to this single purpose. There are no side plots like in Hamlet or King Lear. The love story of Miranda and Ferdinand, the conspiracy of Sebastian and Antonio, and even Caliban’s rebellion, all lead back to Prospero’s main plan. The play begins with Prospero’s command to Ariel,

“Hast thou, spirit,

Perform’d to point the tempest that I bade thee?”

And it ends with Prospero’s calm forgiveness. He says,

“The rarer action is 

In virtue than in vengeance.”

Thus, the storm that began in anger ends in reconciliation. Every action, big or small, supports this single theme: justice through mercy. This unity of action gives The Tempest its tight structure and clear moral focus.

In “The Tempest”, Shakespeare unites time, place, and action with masterful accuracy. One day, one island, one purpose: the rise of Prospero. This perfect unity turns the play into a symbol of order and art. It begins with a storm and ends in calm. Through harmony, Shakespeare creates not just drama, but perfection itself.

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William Shakespeare
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