The Birthday Party

Drama | Harold Pinter

How does the state of the boardinghouse reflect the personalities of the characters in “The Birthday Party?” Discuss.

Premium

How does the state of the boardinghouse reflect the personalities of the characters in “The Birthday Party?” Discuss.

Harold Pinter’s (1930-2008) “The Birthday Party” (1957) takes place entirely inside a small seaside boardinghouse owned by Meg and Petey Boles. This setting may look ordinary and peaceful from the outside. But inside, it is full of confusion, fear, and silence. Pinter uses this strange, dark atmosphere of the house to show the emptiness, loneliness, and lack of communication among the characters.

The Boardinghouse: A Place of Isolation: The boardinghouse is small, dull, and isolated. It is never described as bright or cheerful. The curtains are always drawn. The rooms feel airless and trapped. This closed space mirrors the closed minds of the people inside. Meg and Petey live an ordinary life. They repeat the same routine every morning. They talk about cornflakes, tea, and newspapers.

“MEG. What are the cornflakes like, Stan?

STANLEY. H

orrible.

MEG. You’re a liar, a little liar.”

Their dull life shows the lifelessness of the house. There is no joy, no movement, no change. The play even begins and ends with Petey and Meg at the breakfast table. The house becomes a symbol of boredom and emotional emptiness.

Meg’s World of Illusion: Meg loves her boardinghouse and treats it as her safe world. But her world is small and filled with childish dreams. She tries to make the place cheerful by taking care of Stanley. She says,

“I always take him up his cup of tea... I made him [drink tea]. I stood there till he did.”

However, this obsessive care shows her need to feel useful and valued in the house. But her idea of happiness is false. She cannot see the danger around her. Even after the birthday party turns into chaos when Stanley tries to strangle her in the darkness, she still believes,

“It was a lovely party. I haven’t laughed so much in years.”

The house, therefore, mirrors her blindness and emotional simplicity.

Stanley’s Hiding Place and Fear: Stanley, the only lodger, hides in the house as if escaping from the outside world. He lives in isolation and fear. This isolated and closed seaside boarding house mirrors his depressed and broken personality. The house is not just a background for him; it becomes his cage. When Goldberg and McCann arrive, his fear grows. The dark corners, closed doors, and narrow rooms reflect his growing fear. His breakdown during the party scene, when he suddenly turns violent towards Meg and Lulu, shows how the safe house turns into a nightmare. The boardinghouse becomes a place of mental torture and fear for Stanley.

Goldberg and McCann Bring Threat: When Goldberg and McCann arrive, the quiet house suddenly fills with noise, control, and threat. They interrogate Stanley. The boarding house becomes filled with suspense and fear. They talk in mysterious language. Goldberg asks Stanley:

“What makes you think you exist?”

They accuse him of strange crimes and finally take him away.

Goldberg: "You're coming with us, Stanley."

Stanley: "Why?"

Goldberg: "Because you're under arrest."

The audience feels the same fear and confusion as Stanley. Finally, they take Stanley away. The house was once dull and lazy became tense and frightening. The house mirrors the way human life can suddenly turn from comfort to chaos.

In conclusion, the boardinghouse in “The Birthday Party” is more than just a setting. It is a living symbol of the characters’ minds. Its closed and suffocating atmosphere reflects the fear, confusion, and hopelessness of Meg, Petey, and Stanley. It shows Meg’s blindness, Stanley’s fear, and the emptiness of everyday life.

Continue Reading

Subscribe to access the full content

Upgrade to Premium