Jane Eyre

Novel | Charlotte Brontë

Jane Eyre as a Gothic Novel

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Jane Eyre as a Gothic Novel

A Gothic novel is a type of novel that combines mystery, horror, and romance. It usually has ghosts, old castles, dark passages, madness, and secrets. The mood is full of fear, suspense, and the supernatural. At the same time, Gothic novels often explore deep emotions like love, passion, and madness. Charlotte Brontë’s (1816-1855) Jane Eyre (1847) meets all these features. It is a story of Jane’s finding love and independence, and it also contains gothic elements. Let us discuss the gothic elements below.

Red Room: The first and foremost gothic element is the Red Room at Gateshead Hall. Jane lived at Gateshead Hall with her aunt and cousins when she was a child. The Red Room is a large, silent, and lonely room. It is covered with red curtains and dark furniture. It is the room where Jane’s uncle, Mr. Reed, h

ad died. The room looks like a grave. It is a symbol of fear and death. Jane was often locked in the room as an unjust punishment by her aunt. Jane feels that her uncle’s ghost is present there. She says:

“The strange little figure there gazing at me, with a white face…”

The Red Room is a fearful experience for little Jane, and it also develops the novel as a Gothic one.

Thornfield Hall and Rochester’s Secret: Mr. Rochester’s Thornfield Hall is also a gothic setting. Thornfield Hall is a large, mysterious mansion filled with dark rooms, locked doors, and hidden secrets. Jane feels its strangeness soon after she arrives. She hears strange laughs and sudden noises in the night. She describes the laughs:

“It was a curious laugh; distinct, formal, mirthless.”

The mysterious third floor of the house creates fear and suspense. It seems the mansion is straight out of a horror film. This place makes the novel a Gothic one. Moreover, Mr. Rochester seems to be a brooding man. He has a dark past. The readers always wonder what secret he might hold.

Bertha Mason: Perhaps the strongest Gothic element in the novel is Bertha Mason, Rochester’s hidden wife. Bertha Mason is mentally ill. Jane says:

“Bertha Mason is mad; and she came of a mad family… maniacs through three generations!”

She is kept locked in the attic like a dark secret of the past. Bertha is described as wild, violent, and almost supernatural in her madness. She sets fire to Rochester’s bed, tears Jane’s wedding veil, and finally burns Thornfield Hall to the ground. Bertha represents the Gothic theme of madness, horror, and destructive passion. Her presence haunts the love story of Jane and Rochester like a ghost.

The Role of Mystery and Suspense: The plot of Jane Eyre is built with suspense, another key feature of the Gothic novel. From the start, Jane hears strange sounds and laughter without knowing who is behind them. Readers, like Jane, are kept in fear and curiosity. The revelation that Rochester has a living wife comes suddenly, just when Jane and Rochester are about to be married. This shocking secret is the Gothic climax of the novel. Suspense and hidden truth are central to the Gothic spirit.

The Supernatural Touch: Though Brontë does not fill the novel with real ghosts, she uses supernatural touches to create a Gothic feeling. Jane believes in dreams, visions, and mysterious voices. For example, the night before her wedding, she dreams of a destroyed Thornfield and a crying child. Later, when she lives far away from Rochester, she hears his voice calling her name. These supernatural moments add to the Gothic mood of the novel.

In fine, Jane Eyre meets all the requirements of a Gothic novel. The Red Room, Thornfield Hall with its secrets, the madwoman Bertha Mason, the suspense of hidden truths, and supernatural touches, all belong to the Gothic tradition. Charlotte Brontë combines these dark features with the realistic growth of Jane’s character. The result is a novel that is both Gothic and deeply human.

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